There’s plenty of reasons for that, from the old ‘write what you know’ adage to the fundamental goal of writing gay romance for me—putting happy endings out there. Oh, I know I don’t make it easy. I write a lot of angst. But my boys get their happy endings.
Lately writing contemporary is hard. I’ve thought a lot about why that might be. Part of it, surely, is that the future seems less rosy, less hopeful than before. My husband sometimes will get upset at me, because I do write angst, and that means that often in my stories the characters will experience the realities of homophobia in our culture. He likes that sweeter more hopeful vision.
I stepped away from my usual stories. I set aside The College Rose Romances and The Sam’s Cafe Romances. Both of those have sequels that need airing, from Cian’s story—the purple rose—to the missing stories of chess master Brian’s brothers. Instead I’m working on a short, and unlike my last one which was very much a contemporary, this one has a dystopian sci-fi feel. It is intended as a romance, and I’m struggling sometimes to find that balance, but it is also, I think, rather different than my usual stories.
Mostly it came to me as a title and then a cover and went from there. I think I’ll be sharing it pretty soon.
The Tendire Gate.